The Hobbiest

One of the things I've started to consider is an individuals obligation to be knowledgeable about the things they enjoy.

In theory, it seems that we are under no obligation to know that much about our hobbies. We do them for fun, after all, so why not learn however much or as little as we want?

In practice, however, there are some limitations to that.

The first, and most obvious example that springs to mind are hobbies that are dangerous without some level of knowledge or skill: Mountaineering, technical diving, aviation and car racing all spring to mind. Not knowing what you're doing can result in thousands in damages at best, and at worst, you and the people around you will die.

Slightly less clear are those hobbies which pose no danger. While I suppose you could stab yourself if you sharpened it well enough, the idea that a person should have a moral obligation to learn as much as he can about graphite sketching is a bit harder to pose.

No, what I mean is that when your hobby does nothing but entertain you, when it poses no practical risk to anyone or anything, beyond perhaps, some consumption of your time. With hobbies like that, how knowledgeable should we be?

The question arose for me thinking back to an Encyclopedia Dramatica thread back in the day, dedicated to bad deviant art postings, as well as an old how-to-draw webcomic guide that suggested that anyone who did not have a good grasp of drawing shouldn't draw webcomics. Their logic was that the act of making and posting your art in public inherently implied that you believed your work was good, and that you, as the artist, had some obligation to live up to that.

The fact that I still remember that stupid guide, nearly two full decades later, probably says a lot about the impression it made on me. It was the first time I had ever encountered the suggestion that "because I enjoy it" was not reason enough to share my art. Between that long ago article, the Encyclopedia Dramatica art thread, which provided a rather practical example of what happened when people thought your art wasn't good enough to post, I began to consider whether or not there was some kind of standard out there, one I was obligated to live up to, somehow, whether I wanted to or not.

I also kept encountering this persistent notion that trying to improve yourself and learn more about whatever your hobby might be was how you proved that you really enjoyed it. A way way to show that you weren't just some poser, a pretend artist/reader/writer/what-have-you whose enjoyment of the thing was too shallow to properly count among the real hobbyists, the ones who cared.

I'm of two minds of how this mindset influenced me across the years. On one hand, this was my first introduction to the idea that standards of beauty or worthiness might be objective, that there was some greater standard, one that all art could be judged by, at least to a degree, according to some universal standard that existed beyond that of any one observer. It pushed me to try and live up to this, whatever this was.

And in retrospect, my teenage years did feature a pretty aggressive upward slope in quality. I jumped from repetitious scrawls around nine to ten, to starting to draw from different angles and increase my subject matter from eleven to thirteen, discovered line weight and started thinking about pen and ink techniques not long after, I think around fourteen? And from fifteen onward, just kept going up.

At the age of twenty, I gave myself wrist damage, to the point where I forced to write with my off hand at times, because my main hand hurt too badly to use.

By this point, I was holding myself to some crazy standards, doing stuff like painting over the same line in acrylic over and over again, trying to fix invisible wobbles and make perfect arcs, or going nuts over projects that failed to live up to the standards I had set up for myself, and vaguely presumed, somehow, everyone held. I made at least one person cry because I told them their terrible, no effort flower was a terrible, no effort flower. Saying this did not seem to substantively improve any aspect of their work.

During this period, I put up almost nothing online, and never shared anything I did outside of friends and family, because even after all those years of time and effort, I still didn't think I was good enough. Whatever standard was out there, I hadn't lived up to it. I felt like I would disappoint not only myself, but the world, if I did not.

In retrospect, however, after loosing a lot of the joy that used to go into my drawing and being forced to slow down after what I did to my wrist, I think the precepts in that old how-to for webcomics were more than a little misguided. I also began to realize that a lot of the online mockery around artist focused less on what they drew and more on how they acted. Artists who demanded praise for their work, artists who were excessively sensitive to criticism, artists whose egos so vastly outweighed the quality of their actual output that it became impossible not to laugh.

The bad art was not the main attraction. In a lot of ways, it never had been.

As for the business of "proving" myself fit as a real artists, well, maybe that's necessary in the professional sphere. Standards have their place, as does a community's right to self regulate, but trying to extend that mindset to everyone who does something similar to what they do, whether they want to interact with them or not, is pushing it a little too far, I've found, nine times out of ten.

The trick, I think lies in self-understanding and humility. You need to acknowledge that you're not serious about whatever it is you're doing, that it's just a past time, and because of that, you'll probably never be as good or as capable as the ones who put in the effort to be skilled at that thing for real. Accept that you cannot please everyone, acknowledge that if you put up your work in public, not everyone who sees it will like it, and may even mock you for it.

If you can bear that, I think, there's nothing truly wrong with making a bad webcomic, a shitty website, or writing dumb stories. There's so much stress in the world, it seems, on ourselves and each other, I feel like there should be times and places where releasing any expectation of quality and just having fun should be okay. Something that's a pleasure, not a pressure, Something you can do whether you're good at it or not.

Something like a hobby, I guess.

Script Kiddy

I really can't make Javascript work. The closest I've come is the simple what-have-you I somehow managed to get going with this page here, and even then, I chalk it up to sheer coincidence that it functions at all. It's just not intuitive for me.

That, and I don't know what I'm doing. Which makes things harder as a matter of course, of course.

In other news, I am sick. It took years, but I have finally come down with Covid. The first day I had it, I couldn't eat anything but the blandest and softest of foods, and that was during the moments I could properly stay awake at all. Even still, I wasn't as bad as the others in my family, who had it worse.

In retrospect, a two tiered selection of buttons controlling an alphabetized selection of all my favorite quotes, poetry, and lines was probably too ambitious, though I do think I came close to making it work.

While I ended up deciding to delete that particular page outright, it did give me a head start on doing something more simple for my page on original outlines and worldbuilding. While I'm no fan of radio buttons, they're an easy way to make only one option selectable at a time, which was something I really wanted for that section of the site.

It's not perfect, but it works well enough that I'll probably copy it wholesale for the fanfiction version of that page. I've got pretty high hopes that the ability to select between different different stories and view the meat (outlines) side by side with the potatoes (world and character) of my works will make my life a lot easier, long term.

The inability to find any prefab version of something like this was a big drive to keep going with my website, in fact. I've wanted a way to look at certain parts of my story in a side-by-side, easy to compare, neatly sorted style of view for years now, so much so that when I realized it was possible to build for myself, I was elated.

After this, I should be very close to completely finished the set up for all my intended web pages. Everything else is just a case of copying or modifying a version of something I already have.

EDIT 8/26/22: After discovering that making each radio button show two different divs in two different places was a little beyond my skillset, I ended up reconfiguring a little. One day, I really will have to learn to code for real, I think, if I ever want to make exactly the web page I have in my head.

Ah well, this works well enough as is.

Down and Out

The good news: I have found a way to convert my documents to HTML without hand-writing every paragraph and emphasis tag by hand.

The bad news: My fonts are all over the place now, though I probably will try to stick with Helvetica or something like it as best I can. Switching everything over to the same font is honestly pretty low on my todo list.

I've been uploading all my story outlines to their brand new webpages, and it's just as nice as I hoped. There is some spit and polishing that still needs doing to make them truly easy to page through—I was initially putting everything in details/summary tags, but thinking about it now, I think it would be easier to page through things with a link directory at the top of the two containers with a “back to top” option at the end of each relevant section. Making it so the page loads so that the primary navigation links are front, center, and easy to click would also be good.

In terms of fandom news, I'm pretty excited to see the invisio-bang fics coming out again this year. Sapphireswimming's fic is the stand out so far, but there are several that either didn't catch my attention or that I just haven't gotten to yet.

One of these days, I tell myself that I'll participate, but the timed nature of the event, the need for social interaction over a medium I'm not super comfortable with (discord), and my own lack of confidence in getting things done just has me too intimidated. Maybe once I finish something large for myself, I'll give it a go.

I really haven't been doing well on the art front, and that really sucks. I've got at least one gift that is taking miserably long purely because of that, and it's driving me insane. I've been trying to do some light studies on the human form, but those all seem to suck too, which is disheartening, but not unexpected, after stalling out the way I did for so long.

Dreams and Martians

It's been a while since I've written another journal entry, which is a pity, since this is actually one of my favorite parts of the site.

I stumbled across a novelty countdown app and discovered, to my dismay, I had less than 96 days left until the end of the year. It makes me think of how easy it is to slip, and how little the world cares that you did nothing with the chances it gave you.

Time moves, and we do not, pebbles worn to sand by the rush of an almighty river, tossed and turned only by the will of our own stony violations, themselves utterly feeble beneath the flow.

Small wonder we lose so much. So disinclined to motion, so predisposed to sink, by the time we realize the extent of the erosion, there's nothing left to grasp but our regrets.

I've been having horrible nightmares, recently, about losing my loved ones. The dull, awful kind, stripped of symbology and utterly real, to the point where I wake up confused as to whether they're alive, or if I'm still grieving.

They're fine, for now, but I really should call, I think, the next day I get off. Or at the very least, talk to someone who isn't the internet about what's going on. I don't think this is good for me.

Man, that was a downer kind of passage, wasn't it? I really don't want to end it there.

Happily, there are some other things to talk about.

For starters, the job I got recently turned out not to be all go all the time. During that downtime, they don't seem to mind if I draw. I doubt I'll be making anything worth posting with any frequency, but a chance to get going again in even the smallest of capacities is a wonderful thing.

I finished Ray Bradbury's The Martians, and liked it so much I put a quote from it on the landing page of the site. Honestly, I wish someone told me that The Martians was A) funny, because there are some genuine laugh out loud moments in that book, and B) a total dystopia. By this point in the future, all fiction deemed inappropriate has been burned, all references to those fictions are banned, and all expression is regulated by government men and wealthy citizens whose positions on the right committees give them pull. They control earth completely, but do not control mars, not yet.

Watching an entire building get brought down on those fuckers was a treat, made only a little bitter by knowing how very possible that kind of world has become.

I'm slowly pecking away at making a table of contents for my world building sections. They ended up being pretty finicky to make, in part thanks to the sheer amount of stuff. On top of that, I somehow managed to break my own formatting by forgetting the ending slash on one of my <i> tags, which took me an embarrassingly long time to find and fix.

I'm still of two minds as to whether or not I want to replace my HTML tables in the art section of my site. On one hand, using flexbox or CSS tables would probably make my code a lot easier to look at and modify, but on the other hand, the current setup works fine, and I'm honestly a little afraid of breaking it.

I am very happy with the revised landing page, though, which does use flexbox in place of HTML tables, as well as a bit of a buff and polish to the page as a whole.

Times and Dates

Oof, it’s been a bit since I’ve posted, mostly thanks to a combination of IRL affairs and spreading myself too thin across projects. Juggling real life with self-study with for-fun projects is a bit of a trick, and circumstances may shake out so that I’ll have to figure out some money-making side gig on top of that here soon.

It’s not urgent, at least not right now, but it’s one of the things that’s been weighing down my brain.

On other, more interesting topics, I’ve been pecking away at the website, just on an offline version rather than live. That’s right, I discovered the download site button! It makes it a lot easier to copy webpages and tinker with the format, and I’ve got an updated navigation footer and a slightly altered homepage set up and ready to go.

I’ll probably still play around with the live site, because honestly, it’s just plain fun, but the big, finicky pages especially really benefit from being handled offline.

Thinking of big, finicky pages, I’m still cleaning up the HTML in my rough draft/outline sections. I love Apache Openoffice, don’t get me wrong, and I’m 100% sure there’s some logical reason why it exports into markup soup, but it’s a pain to look at and even more of a pain to add to, which is what I need to do if I want to make those enormous lists easy to navigate.

Once again, I am vaguely away that I’m making my life harder than it needs to be. These things don’t need to all be one page any more than they need to be in separate scrollboxes, I just kind of like them that way.

If the sheer amount of text does eventually make the page awful to use/update, I probably will change things around.

I’ve also been thinking about styling the buttons in my rambles section here into something spiffy, as well as potentially removing the dates on the buttons with titles or something.

Dates are great, especially for entries in mostly chronological order, which this very much is, but also an invitation, for me at least, to skip over everything but the latest entries in a series.

There’s the all-pervasive nature of how things are dated on the internet, too. Everything, it seems, is on a timeline. This was posted in that place, at this time exactly, right here. Even when platforms like Twitter try to change the order of the post, the sense of temporality remains. Dates are inescapable, to the point where a post’s relative distance to the here and now becomes part of how we appreciate the work.

Everything dies, and someday, hopefully a long time from now, this site will, too. The data will decay, the servers will wink out, every external drive with a copy of these words will crack their cases and decay. Present becomes past, the wax of wasted hours burned down by time.

The aftermath of this is sad enough, I think, when we aren’t stamping every drip down the wick and framing every whisp of smoke in a portrait of days. Prioritizing the moment things were over what they are now is not, I think, how I want my site to be.

Ordering them by year is fine, but I’m definitely switching the dates on the buttons out here soon.

I’m also considering building a favorite book list/review page, as well as maybe an “in progress” page for my art? The idea would be to take the occasional screenshot of something I make, then upload it to the site, more as a self-motivation thing for myself, really.

I’m sort of whiffling between that and an art version of the book list and review, a sort of collection of all my favorite artists throughout the years.

I’m also playing with the idea of spending a little time each day to learn about something, and then writing about it here, a sort of way to encourage my own sense of curiosity why also giving me an excuse to upload something to the site.

Year's last

So, I have these big fancy essays lined up, with deep thoughts and everything, but it looks like neither of them are going to be coming out until sometime after 2023. It's frustrating, being such an inefficient person, but fixing that is a whole process in and of itself.

My family celebrated Christmas early, a day or two ago, and it was pretty good. We’ve always had this philosophy of taking it easy on the holidays, usually buying a snack spread and munching through the holiday as we visit. This year was no different, and having everyone together again was great. I even managed a little over an hour of footage of my grandparents, mostly grandmother, just kind of talking. They’re both well over eighty, so it’s hard not to want to record the good times while the good times remain.

Coming up next for the site, I have a few things cooking:

• A new web page filled with short reviews and a summary of stuff I have read before. This is taking far longer than I wanted partly because of how many things I decided to put in it before uploading (I decided to make something meaty in terms of content), and partly because I had the bright idea to archive everything that had an online component, rather than just providing a simple link. The amount of stuff I read that ended up vanishing is depressing, and I don’t want any theoretical future readers to be the same sort of bummed.


• A new Danny Phantom fanfiction, mostly as a vehicle for my cringe, star themed poetry. It’s on the second draft, and I try not to go farther than three or four drafts, total, just to force myself to publish somewhere below the threshold of never. My multi-chapter work, Where you belong, is stalled in part because I have difficulty avoiding this draft—delete—draft cycle. Happily, that’s not the case for this one, and I think I’m on the downhill slope for online publication here soon.


• An essay on Lithopedians, a really neat phenomenon wherein a fetus gets calcified inside the mother, where it stays, sometimes for years. I stumbled into this long sidetrack over whether or not the first ectopic birth was really discovered by Albucasis, and, small spoilers here—The answer is “maybe, but only maybe, and not for sure”. The relevant text is vague enough that proper credit should probably be given to a less ambiguous medical account, IMO.


• Something pretentious on the nature of everyday addictions like coffee, video games, and soda. Stuff we think of as normal to be a little hooked on to some degree. This one is not well thought out.


• A long promised and long delayed part two of an art piece I promised for some one nearly a year ago. I feel awful about how long its taking, but am having real difficulty working through it. Art block is a bitch, and I am forcing myself to work on it in 30 minuet segments every few days in an effort to see it through. My sole consolation is that I took no money and said from the start that I could be astonishingly slow. Still, It would be nice to get it done.


• A stupid destresser piece, also Danny Phantom themed, on what Fentonworks might look like if it was the late 19th century. Line is bad, mistakes everywhere, and in traditional media, which means I’m using my usual favorites of extremely permanent and highly un-erasable ink. I am currently in the process of coloring, while also trying to persuade myself that it’s okay to upload even if I make even more mistakes later on. Having a personal website helps a lot in this respect.

I’ve started to pace through modules on the Odin Project, a programming thing that’s supposed to teach know-nothings how to code. My impressions so far are more or less this:

The command line is cool, the incredible number of ways you can use it to delete everything and/or break your computer is really not.

Discord is still a big purple data silo and the fact that I have to use it to talk to the same strangers who introduced themselves by informing me on how not to be a "help vampire" isn't an encouraging way to get me to use it.

Perhaps most prominently, I really, really wish they had slapped some warning labels on how Linux can play badly with certain types of hardware in a place I could see. Realtek wifi chips just vanish from the OS’s view, and after spending some time at it, the best solution is to either buy a Linux friendly WiFi plugin, which I need to do later, or just hook your phone’s wifi to your computer via USB, which I’m doing now.

A lot of advice online involves command line prompts and disabling fast boot and all that jazz, but when it comes down to it, I really am just a normie who got sick of Windows and it’s creepy desire to take pictures of my face. Forcing a WiFi chip basically specialized for Microsoft to interface with something else is above my skill set, and if something else works, well, I’ll take it.

Still wish someone at the Odin Project had made a nice big list of common incompatible hardware that someone with a home laptop may need to watch out for, though not having to resort to third party software just to delete a web browser is nice. No denying that.

Cheers for the holidays, and farewell to 2022. Hard to believe I’ll be needing to make a new section for 2023 in my journal already.

Small Dragons

If you scatter fermented berries on the ground, the birds that eat them will get drunk. I’ve heard there are some people out there, mean kids and immature adults, that like to watch them flail.

I know at least a few people who drink habitually, never enough to cause problems, but always in a way that makes it clear that its a lifestyle. I've met a lot of people who act the same way in regards to candy, caffeine, and soda. Coke or coffee cups at least once a day, snack bars and popcorn in the afternoon as a matter of course.

Never too much, but always more than enough, you know what I mean?

For many others, including myself, I think, the internet is the same kind of thing. It’s fun, it’s something I want to put time into, but not as much, or as often, as I actually end up spending. My plans to go outside, walk in parks, hang out in libraries and old bookshops and talk to the patrons there about my favorite works somehow ends up getting shoved aside for more internet.

Habit’s a hell of a thing, especially when there’s an addictive component underlying the routine.

In small quantities, none of these things, even alcohol, are really all that bad. If anything, forgoing anything fun out of a never-ending sense of obligation or fear is as sure a way to ruin your life as succumbing to your fix. But there’s another side to this, I think, somewhere beyond a controlled habit, but stuck in a place below any obvious sense of destruction. The little vices, the bad habits, the small addictions so normalized that it’s hard to see them as a problem at all.

Caffeine is an easy example. Tea, coffee, and sodas like coke and pepsi are practically cultural institutions. A drug so ubiquitous that I don’t think many people even remember that the primary ingredient is addictive until they miss their dose.

Snacks like cheetos and doritos are specially formulated for maximum engagement—Not just the flavor, but the color, the size, the crunchyness, all of it are designed to make them desirable to human senses and spur our drive to eat. And this is to say nothing of social media, which treats the human attention span as a spendable commodity without regard for the fact that the thing they’re competing for are the moments and the mind of a human life.

Everything from food marts to video game companies will go out of their way to hire psychologists, using their expertise to design products in a way that compels us to respond. If you’ve ever wondered why the sweet treats and dumb magazines are always right next to the register at easy grabbing height, that’s why. It’s also why a lot of free to play/pay to win video games blitz new users with easy money and fast rewards, only making things harder after the player has been cajoled to the point where they're too invested to stop.

What companies want from a person, more than anything, is for them to work as much as possible, spend as much as possible, and watch as much as possible. Their ideal of humanity greatly resembles a kind of ouroboros, I think. A never ending loop of creation and consumption, where what we make is what we eat, and what we eat is what we are.

There’s a personal element to all this, too. The world is hard, and harder still for some more than others. When you don’t have much of life, it is only natural to drift towards the things in it that feel good.

If your social life sucks, maybe, but in World of Warcraft you’ve made it to the top of your guild. You’re mighty and powerful and everyone loves you. Or you have a thousand followers on twitter and there’s at least a few people who retweet and quote your every word. Sure, it takes a lot of time and maybe money out of your day, but when it’s the only thing you’ve really got to look forward to, why stop?

Interestingly, a lot of the more conventional addictions seem to have this social element, too. Bars aren’t just where people go to drink, it’s where they go for drinking buddies. The trans movement seems to have exploded, in part, because it offered a place for people who “don’t fit in,” and posits the claim that once they go through all these drugs and surgeries—Even the ones that are experimental, not FDA approved or even researched much at all, somehow the awkwardness will go away, and they’ll finally belong.

Humans are profoundly social, and anything that caters to or blunts that need will be desirable. I sincerely like the taste and warmth of coffee, but if I didn’t grow up watching my parents and grandparents drink it, I’m not sure if I’d be quite as keen to join them. I love the internet, too. I love the world-wide connectivity and the huge array of interests and fandoms that I never would have been able to share or even know without it. I do not love the push for people to live there 24/7, or how its getting fused more and more with real life. Pair that with how profitable chemical and behavioral addictions can be, and you have a major incentive to normalize a lot of things that probably shouldn't be everywhere you turn.

When it comes to these small addictions, the cheeto bags and the soda and the ten extra pounds you can’t quite bring the effort in to shed, I honestly don’t have an answer. Even more honestly, I’d suspect I’m more caught up in my own vices than most. It feels as much banal as it does anti-human and vaguely cruel, like the whole world is constructed in the image of bad berries scattered out for birds.

I think, if I had to give an answer, I’d say that the line between hobby, stress relief, and unhealthy fixation lies in part on your own perspective. Is what your doing bringing some kind of damage to the life you want to live? And even if its not, I think its worth asking yourself if you’re doing it's really what you want, or if somewhere along the line, it just became routine.

If you’re pissed off with instagram or twitter, but keep posting regardless, or if the bar is a place you go to because you can’t really think of anywhere else to be, more than because you still like going. When fun and relief becomes a guilt or a burden, maybe that's where you're supposed to stop.

On my end, I just keep trying. I can’t say I’m any good at it, but it’s better than nothing, I guess. I try to be honest about why I’m doing the things I do, understand my own compulsions, and try to make myself available to those around me even when I really don’t want to do anything but fixate on the latest thing I’m reading or doing on the net. I made a Neocities, something that requires enough effort that I have to delay the quick dopamine hit that I would otherwise get from social media engagement. I try to judge if I’m hanging out with a person or a group because I enjoy their company, or because I’m lonely and their philosophy encourages some easy way out.

I try, and hope that if I try hard enough, eventually it will help.

I wasn’t planning on rambling again before completing my latest Danny Phantom short story, the one you, the improbable and likely imaginary presence across the screen—might have spotted me grumbling about it in the updates section of my index page.

Real life has been hitting me hard lately, and while I’m not swamped, it’s at that place where it’s hard to muster up the oomph for anything challenging. What free time I’ve had has been family, sleeping, reading, and hearty mixture of brainless clicker games mixed in for flavor.

I have another, more focused ramble partway written, but I’m not really in the mood.

Instead, I have a few things scudding across my brain that no one IRL wants to listen to, but I feel like talking about anyway.

For starters, there’s the idea the clearnet might be turning hazy. I just learned about this today, and it's pretty neat.

If you keep up with internet news and affairs in any capacity, and given that you’re on an unoptimized personal webpage reading a stranger’s diary for fun, I’m going to go ahead and presume you are—You’ve probably been hearing about how web crawlers and search engines have started to really suck at finding things. By this point, Google search only ever seems to turn up page after page of the same information, with the same brands, in the same language

(The repetition of writing style and language in particular really bugs me. I know it’s an SEO and/or machine generated content thing, but it’s obnoxious to read and difficult to extract real meaning from.)

Basically, thanks to a combination of people figuring out how to game the system and the system itself being tweaked and altered into something ever less consumer friendly, it’s gotten harder and harder to search for...anything.

So hard, in fact, that the clearnet isn’t so clear anymore, and anyone who wants something that isn’t a big corporation or machine optimized listicles can’t rely on search engines. Just like the days of old, they have to go and look for them instead.

In a lot of ways, the notion of the clearnet going dark reminds me of the less conspiratorial versions of the dead internet theory, this idea that the internet is mostly bots. You have people making articles written for machines, machines writing articles for machines, companies trying to figure out the machines so they can better optimize the articles they feed the machine, and on and on, to the point where you’re left questioning how much of the internet is for people at all.

There’s more to this, of course, but the end result is what interests me: The internet at large is getting lonely, and good things are hard to find.

One good thing I did find, though? Invidious, an alternate YouTube frontend that vanquishes ads and lets me run music without pausing every time I try to pull up a new window on my phone. I was able to listen to cringe nu-metal for as long as my battery could stand it, and no interruptions!

I still need to get around to finding a good blocker for my phone that makes youtube shut up, but in the meantime, this is nice.

In terms of general site updates, I have the new page I’ve been working on for a few months still stuck in the partway phase. I’m not sure if I mentioned this before, but I want to archive some of the things I’m talking about, which turned out to range from “relatively easy” to “punishingly tedious”. It depends on the site and the number of chapters in any given work.

The fact that Archive.ph can process fanfiction.net despite the people in charge going out of their way to make the site anti-scraper was a godsend, I got Haiju’s SoaD and PoT up in their entirety there, as well as several others.

The things I’m really not looking forward to archiving are the webnovels and the translated works. Hundreds, possibly thousands of chapters all told. If there’s a way for a tech-illiterate person to automate it, then I don’t know it, so I’m stuck processing them by hand.

On one hand, having all the links fully archived in case the source goes dead is awesome, on the other hand, this is taking long enough that I think I may release the page in a partly finished state, and then just add to it when I catch the mood.

Other new pages still in the works involve a dedicated section for non-ramble-y essays on various stuff. Originally, I was going to lump them in with my journal entries here, but after thinking about it, I decided that offended my sense of order, so I’ve decided to give them their own page instead.

I'm also planning to add an “ongoing” page to show off whatever in progress things I have going on, but that one shouldn't be very complex or involved, so I'm saving it for after I do the more complicated pages, which I want done first.

I like to plan things a lot, likely because lost of planning saves me from the scary part: the act of carrying the aforesaid plan out.

I’ve been trying to get better about that, in part because I know perfectly well the best way to lose control of your own life is to make a habit of avoiding choosing anything at all. Part of that is I’ve been trying to get things done, even if those things are imperfect or even incomplete.

Ghost Lights, for example, probably would have never happened if I hadn’t accepted my own imperfections and published it as is. Ditto for my new recommendations and review section, which I knew I wanted to finish a lot of, but eventually accepted the idea that working on it to the exclusion of all else, until I burn out and avoid doing anything with my site at all, was probably not the right answer.

It actually astonishes me, in fact, how many things have no right answer. They tell you so many times as a kid, “do things just like this” or “This is the one true way”, that it becomes unsettling when you discover that’s not how it works.

I don’t mean this in the sense of any grand conspiracy, either, but in the mundane sense of depth that everyone seems to avoid acknowledging is there at all. The world is so unfathomably big, crammed with so many options, most of which we never dare to even try. Every one of us could, in theory, walk out on out own lives right now and vanish. We could all become a mystery, if we wanted. But of all the many millions, how many of us do?

I remember sometimes, that there is no aspect of my existence upon which the world seems to hinge. Nor do any of my choices by necessity need to be. A droplet on the sea would be an earthquake to the patter of my feet across the earth. I leave no mark that will not vanish, I make no thing that will not decay.

If I am is just the same as if I’m not, if I choose is just the same as if I do not, then what restraints are there truly, from my going either way?

There is a terrible sense of freedom in ideas like that. A bit like trying to stare into the sun, you end up blinding yourself from something that’s a little to bright to see.

What do I do? What should I do? How should we do it, all together? I don’t know, no one does. So we build small, dark boxes and crawl inside instead. If you pretend that everything you’ve confined yourself to is the world, It becomes less crippling.

If there is a God, this one in particular is one of his shittier jokes.

The best I can say is that the apathetic everything-ness of the universe is still a better thing to focus on than the small fears and losses of the people I know and love. A reality that doesn’t care is far less terrifying when someone’s in it alongside you.

But anyway—on embracing small goals and allowing imperfections without becoming overwhelmed with every possible what-if or shoulda-done that crosses my brain is slow going, but I’m sort of hoping there’s some progress. Even these rambles, and my word, that’s an accurate thing to call them, are sort of an extension of my attempts to embrace that. These things aren’t really edited, which does make me worry that I come across as a word-salad flinging, repetitive phrase making nut. But, well, aside from you and me, I guess there’s no one who will ever really know. This kind of internet is good for that.

I keep bringing that up, but it’s one of the things I appreciate the most about having my own website. I had never realized what a source of stress stuff like likes, dislikes, and reblogs were. Attention was nice, but the pressure to perform and worse, conform to certain social standards 24/7 was, and is, stressful. Something I think I should have realized sooner, considering how low my threshold for socializing is in my IRL life, it makes sense that I would have a lot of the same issues on the net.

In general website news, there’s still plenty to do. I’ve got the marble entry I mentioned in my last post finished, I just need to give it a quick wipe down and get over myself a bit before it’s posted. It’s stupid, but it’s mine. I still have the research for lithopedians running around, and now that I have a specific section of the site up for non-ramble essays, I’m a bit more enthused about writing it. Having a dedicated space set aside for things just makes them a little more fun to post.

That said, if I post an essay, the first will probably be a fan essay. I have a work on Dani Phantom and Swyers syndrome on Tumblr, and after expanding it a bit, I plan to have it out relatively soon.

I have a few other fan-essay things that I’m flatly just more interested in posting, so the calcified child essay will probably stay on the back burner for a while. Stuff like how Ice, and therefore Danny’s ice powers, has far more variety than people tend to give it credit for, as well as some of my personal worldbuilding and headcannons for Ghosts, the Ghost Zone, and yeti society all need to get shipped there.

Some of the Yeti stuff in particular is already in my worldbuilding section, but since I want it to be something I can reference without having to scroll through the more story-specific stuff, I’ll probably be re-working or even just copying some of that into its new home.

Thinking of fanfiction, I’m still chipping away at Where you Belong, I’ve just gotten bogged down in family tree and character description stuff, which is both incredibly tedious and hard to talk myself out of doing. This arc is looking like it’s going to need a real sense of place and character, and having a ready list of who’s who, who’s screwing who, and who wants what out whoever else is too handy not to have.

Thank goodness the deuteragonist in the next arc is pretty much one parent short of an orphan. With the way Yeti society works, he’s still got plenty of clan and even kin folk, but they’re neither close nor relevant. That the second part of the story is intended to be more action based, and therefore less reliant on character, also helps, though it’s hard to say anything too firmly, since it’s still is so far out.

I am still getting a lot of my mental bandwidth eaten up by real life, which makes everything slower and harder than I want, It’s really difficult to fight the urge not to just give up and spend all my free time on stupid, brainless shit. I have to remind myself how much better I feel when I get things done, even if it’s small or pointless. I’m small and pointless. Proportionately speaking, I like to imagine it all evens out to something worthwhile, in the end.

I have eighteen marbles, all told.

By the schoolboy standards of yesteryear, that’s probably far too few. Any proper aficionado of spheres should have at least twenty, and each one should be unique. None of this identical glass ball nonsense, where some errant youth grabs a handful of decorative stones and declares them true and proper marbles. No, those, good sir, are not marbles, they are decorations, fit for the bottoms of fountains and the inside of your grandmother’s glass bowl.

Real marbles are special, unique in their design, and definitely cooler than those foolish monochrome spheres. The complaints of any older sisters that might be heard should be likewise ignored. The colorful and unique nature of marbles is integral to their very being, and any level headed, siblingesque complaints to the contrary are clearly born of ineptitude and envy from the marble-less depths of their very soul.

My marbles might not be many, but they are good.

In no particular order, they are:

The Clown Ball:

A yellow so bright it looks like it should glow, splotched with four red dots and four blue dots rudely equidistant from each other along the marble’s sides. It’s not my least favorite, but I am a little sad that it’s one of my two big marbles. The big marbles are always best when they’re also the coolest, and the clown ball just doesn’t live up to that. Though it would be funny to perch a small jester figurine on top of, at least once.

The Stellar Sphere

If you wanted me to pick which of my marbles looked most like what the core of one of those person-gets-transmigrated-to-a-dungeon-core type of novels (And if you are unfamiliar with the genre, never fear, that just means you’re normal,) It would be this. It’s maybe lacking in the sparkles department, but makes up for it with an excellent black field scattered over with dusty yellow flecks that, if you squint, look a little bit like stars.

The Cat’s Eye Fruit

Truthfully, this one doesn’t look much like anything, except maybe a fruit split lengthwise and subsequently infected with some kind of mold. The field is one of those odd shades that sits right in the middle between yellow and green. Is it yellow? Is it green? I don’t know. It depends on the light.

The Dark Quartet

All four of them are just so different from the other guys. Black with with swirls of deep brown and pastel blue, the dark quartet are a collection of spherical Myspace goths, all set and ready to prove it’s definitely not a phase.

Personally, I like my marbles more colorful than this, but once I started imagining them as siblings, I became a little more satisfied. They remind me of my own cringe phase, which featured lots of black, bad RP, and even my very own, incredibly original anthropomorphic wolf person as a self insert.

In retrospect, I was really quite normal, wasn’t I.

The dark quartet, likewise, might not be the most stand out of my marbles (although I’m sure they think they are), but on the same hand, they really don’t have to be. Being just as dark and edgy as everyone else can be fun, especially once you realize it’s the look, and more the taking it seriously that’s really cringe.

The Mini-Clowns

The small-guy siblings to my big guy clown, the mini-clowns lack the small blue dots of their older brother, but make up for it with their extra-large streaks of red. They look just like the balls cartoon seals are always balancing on the tips of their noses. It’s a real pity both mini-clowns are glass, because if they weren’t, I’m sure they’d be great fun to bounce.

The Faerie-catcher.

Where I live, you’ll occasionally run across hollow glass orbs with random strings of glass suspended inside. They’re called faerie catchers, and according to the person who told me this story, they’re made to trap faeries, and if I looked closely at the spun glass strings, there was a chance I could see one stuck inside.

A quick internet search suggests that they’re more like faerie attractants than faerie traps, and the story I heard was an odd mix of the old legend, from back when they were witch-orbs, designed to attract evil, and the modern, cutesier tale focused on pleasing good spirits around your home.

My faerie-catcher marble is, obviously, too solid to be the real thing, but it’s mostly clear coloration makes the dull orange spirals look as though they’re suspended in a hollow space, bringing the old memories of blown glass and spirit traps to mind.

The Mountain Glaciers.

I had to think a bit on whether these two marbles should qualify as siblings or not. While they’re both iridescent white streaked with a very pretty pale blue, one has a very distinct line of brown running through it, while the other does not.

That said, siblings don’t have to be all that similar, and they both reminded me so much of the glaciers on a mountain peak, I decided they must surely be kin. That brown streak is there because this particular marble represents a lower part of the mountain, enough that snowmelt has revealed some of the underlying dirt. The other mountain glacier marble comes from the peak, so its colors aren’t mixed.

Looking at these two makes me want to ski.

Summer Sky Beach

When I was a child, the holiday I looked forward to the most wasn’t Christmas, it was the beach. We had family there, and summer was the time we always went to meet them. Those days when I was young and the time away from school stretched into a heat haze as distant and fleeting as the shimmer born from parking lots and roads that criss-crossed the Augusts of my youth.

This marble reminds me of those sort of skies, blue as anything, as I built castles and dug holes besides the strand.

Mocha Latte

When it comes to the mocha latte marble, there’s absolutely no question: That is definitely a coffee orb.

Mini-Mustafar

I say mini, but that’s relative to the planet more than anything to do with the marble itself.

In fact, mini-mustafar is one of my big marbles, bright red and streaked with thin lines of yellow, and one of my favorites by far. If any one of them could be imagined as a lava planet, it’s this guy. You can almost imagine the burn when you pick it up!

Red Skies

A spherical rendition of of a sailor's least favorite dawn, red skies is mostly see-through, making it distinct from it’s larger cousin, mini-mustafar, and streaked with creamy white bands that swirl across its longitude like early morning clouds.

If I’m being completely honest, my first thought was that the red skies marble looked a lit like milk and blood, but I’m trying to keep this mostly cheerful here.

Sulfur flames

A marble so heavily swirled with yellow that the clear elements are hard to make out, brightened further by a sharp orange-red around the equator and the lower pole. I said I wanted to mostly focus on happier associations, but I it’s hard not to see this one as anything but a factory fire. Maybe if I squinted, I could see it as a campfire, or something more tame, but the bright yellow of it all makes it hard not to think of something toxic as it burns.

Mercury

Is it cheating if I imagine most of my marbles as some kind of planet?

Mercury, for its part, is exactly the same color as its namesake — A bright, solid orange that makes me wish it was one of my big marbles, mercury marble is my second favorite of the bunch, second only to mini-mustafar.

What can I say? When it comes to marbles, I have a weakness for bight colors. They just look better that way.

So I swapped Ubuntu flavors from the standard Ubuntu...I think it was Focal Fossa, to Ubuntu Budgie. I had heard Budgie could sometimes support drivers regular Ubuntu does not and, thanks to the advice of some internet rando (the most trustworthy of sources), found myself persuaded to install it. First attempt failed after puttering along for ages and the second attempt took about three and a half hours, I think? Maybe four. I had to stay up late for it to catch the higher download/upload limits that my internet provider gives out during low traffic hours. 1–1.5 mb/s wasn’t exactly super speed, but it got the job done.

Honestly, the main reason I don’t flip around between distros very often has a lot to do with how bad the internet is here. Gaming via steam is still not viable, and it was only within the last few years that watching more than a few youtube videos a day became easy to do. And that’s at the very lowest quality setting. Anything more than 144p still tends to summon the buffer wheel of doom.

I made some more headway on my recommendations and review section, finally filling out the comic section. Arguably, it’s the comic, manga, and manhwa section, but I never really agreed with the trend of re-naming the medium based on which country it’s drawn from. The style might be different, but the medium is the same. For me, at least, that’s really what matters most.

I’ve recently discovered records and record players are still a thing, and I must confess I’m a little bit enthused? Half the records I ended up pulling out of the local antique shops have so many skips they’re just about unplayable. I’m torn between being slightly frustrated and somewhat touched. These things are all 50-60 years old, they must have been played and listened to over and over, by who knows how many people, for decades. I wonder if CDs will end up lasting that long, or being that loved.

As for why I would listen to something silly as a record player, the truth is, I don’t know. The best I can say is that there’s something really nice in the little ritual of putting on the music. Taking the time to turn on the machine, set the record, and lay the needle is more than just some extra steps. If I wanted convenience, I’d head over to Youtube and grab a playlist. I think, when I put on a record, there’s just a little something more there.

On a whim, I submitted my site for consideration to a fanfiction webring, and was accepted just today. I don’t participate in community stuff much, but I’m hoping this will turn out to be something fun.

Thinking of fanfiction, I’ve been diddling around with a Teen Wolf thing in between trying to focus on the background stuff I need to get started on Where You Belong again.

Teen Wolf, the 1986 cartoon, was unexpectedly cute in shallow, this-was-obviously-made-for-kids kind of way. The basic premise, that of an entire family of werewolves dealing with hijinks, teenage hormones, and giant-statue thieves is really cute. It is also fanfiction fodder if I have ever seen it. Little stuff, like Grandpa Howard having army experience, or how massive and weird Scott’s extended family is shown to be, all deserve more than what the shows creators had the space or time to give. I was left disappointed when I found the only thing A03 turned up for the series was porn.

Someone give me my family bonding gen fics, dammit, lest my attention be split even further as I try to write them myself.

Thinking of, I should probably get around to finishing up my WIP page. While Recommendations and Review still isn’t done, and won’t be for a while, a chance for you to see I actually am working on things and not, I don’t know, just kind of messing around might be good.

Come to think of it, I need to sit down and focus on that fan essay, too. Having a page I worked so hard to style just right sitting empty like that makes me kind of sad.

Been a bit since I updated. Partly, it’s a case of having a site that is now more or less how I want it, which means my focus is more on filling it up with stuff. Coming up with said stuff takes a while, though, so things slow down.

I did manage to update my WIP page—I think I might’ve said this before, but I’m aiming for a once-a-month-ish cycle.

...Which I may have to breach here in the next couple of days, as one of the WIPs on that page is now, in fact, a finished work! It honestly feels really good, getting that one done in particular. I’ve been agonizing over it for so long.

I’m on my yearly vacation right now, and I’m torn between getting some books read, doing some more work on my recs-n-rev page, and trying to knock out some of those writing projects that have been bugging me for a while now. Where You Belong in particular has suffered an overlong hiatus, and getting at least a little more of chapter five done would feel very good.

Internet fiction wise, I’ve been reading Super Supportive, which I really ought to add to the recs-n-rev section in and of itself. You come for the superhero litrpg, and stay to watch a young man race death across an alien moon, chasing the faint hope of salvation.

I’ve also picked up some Conan stories, a Japanese murder mystery called “the devotion of suspect X”, the first in a series, and a book called “knight watch”, which I don’t know much about, but was published under Baen, who’ve garnered a reputation for old-school dime backs and fantasy pulp. While I probably won’t finish all of them, polishing off one or two would be nice.

DPxDC is still domination the Danny Phantom space, and while I don’t hate it, I’m not a big fan of secretly adopted/related to this or that DC character Danny, nor am I a huge enthusiast for Danny//Dc character here. Honest to goodness, it’s just not my ship. Considering that’s somewhere between 80-90% of what I see DPxDC wise, I’ve gotten into the habit of skimming the tag unless something catches my eye. So far, “The Health and Well-being of Hybrid Entities”, by Faeriekit is a winner, and I do like many older works that happen to fall in the same crossover, but came out before the boom. Aside from that, nothing much springs to mind.

I’m late to the party, but I did end up seeing Barbie a few months back. Overall, I can’t say I liked it. There was a bitter, cynical, self centered-ness to it that really undermined it’s positive aspects in a way I just couldn’t ignore.

One reviewer I saw commented that females are often cruelest and most belittling towards other girls, and suggested that Barbie in many ways reflects that. It’s a movie that says being female sucks, that the world will always thing less of you, just for being female, and that underhanded tactics and emotional manipulation are something you have no choice to use, because your female-ness makes you into something so little, that’s the only way you can ever hope to match the patriarchy and the man.

While I really doubt that’s what the movie intended to say...yeah, I can see that.

Vacation is nice, but I feel off kilter. Simply moving elsewhere for a while is not enough to shake that sick feeling that dogs me, this sense of inertia and slow drowning. Which should be obvious—The issues inside my head aren’t going to clear up because I drove a few hundred miles. That’s not how it works. But I’ve been going to this place since I was a child. It’s an old family routine, and it reminds me more than usual, I think, of those days when that sickness was so much less.

That could very well be why I’m so prone to diving into reading and writing while I’m here. More than simply having free time, there’s an unusual pressure to be somewhere farther than my body can take me.

A vacation for the mind, I suppose, seeking fantasy where I might otherwise feel the world as something a little too real.

I got a new job recently, and in among all the usual shuffle of adjusting to a new schedule, one of the most notable aspects is how early I've been having to get up: Between prep and drive time, I find myself having to set my alarm for 3 AM.

It's not terrible, once you get used to it, but being so alone along such a big stretch of road gets a little bit surreal.

In the rain especially, it almost feels like you've slipped between some kind of layer, a step or two away from the world where you were meant to be.

There is no sky, in that other hour, just a porous shadow leaking rain. Woods become a deeper darkness, roughly textured, distant yellow windows sole illumination between the leaves.

It becomes brighter once you reach the city, where sodium orange still dominates the streets. Old bulbs spill out and pool before your headlights in strange portals, grocery stores are bight and empty, gas stations stand at the ready for cars that don't come. Most of the early morning diners are open, and a few humans can be seen inside, bent like corpses over their coffees in a preemptive haunting of bodies yet to fail.

Outside, everything is just a little greasy, all the dust and filth of daylight made slippery, where late summer air runs thick in the lungs, and feels unclean.

There are people out there, even in the dark. Some because they have no choice, laid out with their own cloths as bedding and a bench to roof them. Others wonder, by foot or bike, deeper into the dark. They do not acknowledge you, do not glance your way when your headlights shine on their naked heads in diffuse spotlights between sheets of rain.

Even in the deepest and most peopled depths of the city, these are rare sights. Mostly, largely, you are alone.

Putting aside the pretentiousness for a bit, thanks to the new gig, I'm am more than a little tired all the time, and with the higher hours and regular overtime, I don't know how exactly my extra-curricular will turn out, especially since I'm sort of toying with the idea of investing in some extra schooling, which would, of course, eat up my weekends completely. Being stuck at the bottom rung of employability is a fairly frustrating thing, but so is uselessly spending on a degree or licence that does me no good/creates a path that leads to nothing but abusive jobs--which is pretty much how this all happened in the first place. I'm mostly looking at my budget and thinking things over right now, so nothing too big is going to happen anytime soon.

In website news, I'm mostly just tooling around. I had been wanting to play with CSS grid for a while, and my landing page seemed like as good a choice as any to use as a victim test subject. In terms of first impressions--It's less intuitive than flexbox, but can do slightly more. My landing page now looks almost exactly like I first envisioned it, nearly a year ago now. It's a look I honestly don't think I would've been able to achieve without grids.

Thinking of cool CSS, I can't wait for the new CSS anchor thing that, if I understood correctly, will allow elements to appear on hover without any javascript or wonky CSS of the kind I use for my own dropdown menu now. I'm sort of hoping for it to get rolled out to most major browsers sometime next year.

Where You Belong, chapter six, is in it's first draft stage, and I'm working on the draft for chapter seven, now. The plan is to complete the draft for seven, then go back to working on six with a fresh set of eyes. I don't want to give any time-tables, but I want that thing out before the end of the year.

It's been an unpleasantly warm winter in my area of the world. Just day after day of wet dead spring, bloomless and rotten.

My latest record that I picked up is probably going in the craft/scrap pile. More than seven skips so far and an A side that slides like a mother. Ah well, it was two dollars, not counting tax. I'm seriously considering just painting on all my busted records. The vinyl seems like it would hold acrylics pretty well, and the records themselves would provide a nice, thick surface that wouldn't get bendy the way paper tends to from my more water-heavy paints.

With how much canvas costs theses days, goodness knows it's a deal. You would never believe artists started using that stuff in the first place because shipyards had a million different scraps left over from sail manufacture and were looking for some schmucks to take it all away.

Wood isn't a bad medium either if you can get it dry and cheap, but that requires loitering around the local sawmill and construction crew guys more than I really prefer.

In terms of site news, nothing much too special is going on. If you've been keeping track of the side bar on my home page, you'll have noticed that I updated Where You Belong at long last. I also have a tone of scraps and early drafts I need to upload along with it, but that's for later.

I've also posted Ghostlight to A03, edited a bit and renamed to And Here a Sky so Haunted, because I was feeling a little pretentious at the time. It has so far received the least attention and fewest hits out of any of my work, possibly because I had the "genius" idea of not bothering with a proper description and just posting the poem that inspired the piece instead.

There could be other reasons, too, such as the fact that I was posting right in the middle of a big fandom event, or even that the work just isn't very good.

In the end, I decided not to change it. I care about the things I write, and want to write things well, but obsessing over hits, numbers, comments - all that stuff - is really quite bad for me. I'm trying to appreciate and improve my work for its own sake - which I very much wish was as easy to practice as it was to preach. It's human instinct to want to be liked and recognized for your work, but in the modern era, it's a desire that can all too readily consume.

Thinking of A03, I wish there was some method of expressing critique or in-depth thoughts on the works there that wasn't the comments section. Or at the very least, the culture chilled the hell out with criticism=violence that seems to pervade the entire site.

I've seen the argument bandied around that because A03 is fundamentally an amateur website where people write for fun, it is wrong to critique them because by and by large they do not want to grow. You are giving them something they don't want and fundamentally never asked for, which, the argument goes, is not just pointless, but morally wrong.

This line of logic always rubbed me the wrong way, I think for a couple of reasons. There's this presumptuous element to it, that everyone who is hobby writer does not want to grow, and will instantly lose all joy in the craft when confronted with something that contradicts their vision or points out flaws in the story they were trying to tell. There's also the simple fact that when you post something publicly, especially on a website with a comment section, you are implicitly seeking others thoughts and opinions on what you have to say.

And credit where credit is due, if you have the balls - or the narcissism, to demand the audience refrain from saying an ill word against you or anything you and threatening to delete everything and never write again if they do; Well, okay, I suppose that's fair.

But it's one thing to demand silly things, and quite another to enforce those demands on an entire subculture. Because that's the thing about the whole "no critique" issue: It's so insidious. Suddenly, any user suggesting something doesn't make sense, or that they find X or Y circumstance confusing and nonsensical becomes a purveyor of critique, never mind their intentions, is now a perpetrator of critique culture, unfairly demanding professional standards form a hobbyist art, or, worst of all, hate speech.

Deleting or filtering unwanted comments isn't enough, ignoring them is untenable. Even the new block and hide features are insufficient. By cultural dictate and community expectation, your options are nice words or no words at all.

The funny thing is, what got me started on this line of thought is how much I wish readers would clarify what they don't like about my work. I won't lie, it isn't fun, discovering someone doesn't like what you've written. But on the same hand, taking negative critique into consideration is one of the fastest ways to grow.

Enforcing positivity and punishing dissent might seem like a good idea at first, but one of the things I've seen, over and over again, not just in A03, but many communities like it, is the way it always seems to lead towards a path of stagnation, oppression, and control.

The loudest, most moralizing voices are the ones who seem to dominate with systems like this, endlessly defining and redefining "critique" or "hate", or any other emotionally loaded phrase, into ever more esoteric and self serving forms. What was once meant to push out genuinely nasty people are increasing turned against whoever and whatever the most powerful cliques just don't like. Alternate thoughts are silenced, individuals who think differently are pushed out, new ideas die, and the community cannibalizes itself in a purity spiral that could have easily been avoided if the community had just knuckled down and built itself in a way that acknowledges sometimes people need to hear things that just aren't very nice.

Some of the healthiest communities I've seen, perversely enough, are the ones where people are allowed to be fairly harsh to each other. Almost like encouraging the ability to speak freely and without fear is a long term good.

Maybe I'm just being a bit of a doomer here, but there's a part of me that's really worried what A03 will become in the next ten years or so. It's one of the reasons why I decided I wanted to have a backup of my works on something like a personal site.

And maybe move off Neocities onto something that doesn't have any social media aspect at all. I love the easy entry hosting aspect, but the more I think about it, the more the whole microblogging/follower count thing feels like a mistake.

After watching the community for a while, I can't say I'm happy with that, either. Seeing the same kind of public call outs and mean girl control tactics at play on personal websites of all things, is depressing to watch.

I've been fiddling with C++ lately. Not enough to really call it studying, but I can honestly say I know what a function is now, which is more than I could do before.

I think I'll delete my WIP page. In addition to being annoying to update, it's not doing what I hoped it would do: Get me to focus on a few projects at a time instead of alternating between spreading myself thin and focusing hard on one stupid thing.

Sorry WIP page, you were fun to make, but not to keep.

I got some new art stuff for Christmas, which was great, because the tablet I had been using for years fell victim to an OS update and no longer works. On my list of things to do is either figure out how to make it work again and/or port my unfinished works into the new program.

Every year, towards the end, I always feel this vague sense of disbelief. Surely, not one whole year, I think. Not again, I swear just yesterday it was summer. I truly don't know how so much was lost.

Things are rough IRL. I'm never sure how much detail I should get into here or just online in general, but I think it's not too much to say I'm unhappy. Low hours and low job security really grates. I want to work, I have work, but it's not enough.

On the website side of things, I have run into a spot of trouble with the move. Said trouble is entirely my own fault, since I chose, of my own free will, to do it in the hardest and most obnoxious way a human being could. It's not the full reason for the delay in updates here - that's mostly the usual mix of stuff, honestly, but it's a factor.

I think it'll be fun once I set it up, though.

Thanks to an OS update completely wrecking the driver compatibility of my tablet, I can't use Krita right now. I did get a Christmas present that involved Procreate on a different machine, so I was able to swap my files over and continue making headway, at least.

I definitely want Krita back, though. I miss those oil brushes, and the way procreate handles the line tool? Garbage. I should not need both hands for that.

I miss how Krita lets you color-code layers, too. As messy as its UI tends to be, it's actually a really powerful program.

It's also just what I'm used to, which I admit does make me a little bit biased.

It's getting into tax season, and if it weren't for the fact that I'm still waiting on some of the paperwork to come through, I probably would have started on that already.

I have a fair number of boring real life things tugging on my attention right now. They all range from expensive, difficult, to just being fiddly and requiring scheduling, appointments, and a few hoops I need to jump and read through to really get done.

Projects wise, I'm almost done with an original art piece, would be done with it, really, had I not done what I often do and put it on pause while working on something else. Yet another reason why I'm a hobby artist and not a professional - my focus is almost as shitty as my workflow. Bouncing between three or four very different projects at the expense of whatever I was doing before is very normal for me.

I don't really fight it when its just me and my hobbies - this website is a great example, I can drop or come back to it whenever I want - But for serious stuff, the kind I'm trying to juggle right now, I have fight myself a bit to avoid my tendency to avoid whatever it is I don't want to do.

Yeah, yeah, it's stupid, I know. If there was a button I could push to make stop, I would. Breaking things into manageable pieces and trying to work around my own bad habits is just the best technique I have.

Chapter 9 of Where You Belong is still in the process of getting written, and will probably end up fairly long. I want Valerie to bond with Berkhi in a way that seems believable while also getting a basic overview of yeti culture without allowing the plot to grind to a screeching halt as she recovers.

I'm worried its not coming out right.

Maybe instead of cramming everything into a giant montage, I should break it into pieces after all? Maybe re-write chapter eight to be Valerie exploring on her own, then break chapter nine into peices, something like a chapter of Valerie/Bekhi bonding, then a chapter of the two going outside and meeting more of his family, then a chapter where she gets a general overview of the village before I can finally re-direct the plot into a forward direction.

By that point, I think Valerie could be believably convinced to meet the village elder, and accept a deal from him. My current plan involves her helping them out by exploring more portals, grabbing some treasure, and being escorted and given some shady contacts as a favor in exchange. The idea is that this would give Valerie enough support to reasonably get what she wants, without ever being fully welcomed into the social fold or truly feeling as though she belongs.

So yeah, the title is very much intended to be the underlying theme, something for me to reference back to whenever I feel like the story is going off the rails.

In terms of fanfic I'm reading, a Magnus archive fic called Right by Them is my current favorite. Time travel fix-its are a staple in the TMA fandom, but this one is a stand out, both for its good grasp of Jon's 'voice' as a character, and the way the author has so far handled mainline cannon with her own personal tweaks. A promised happy ending and regular updates is nice to have, too. I've been looking forward to Saturdays more often thanks to this particular fic.

Oh! And on my recommendation and review page - it's still going, albeit with far fewer archives than I originally planned it to have (20 minuets just to archive one page out of hundreds was wearing down my patience), it's just one of those projects I've cycled out of at the moment. I think the webnovel section is actually partially filled in on vscode, I just want to complete it before copy/pasting it onto the live version of the site.

I'm writing this one directly in VScode, and just before I go to bed, on top of that. If you're here for excellent spelling and grammar, be warned: This one likely isn't up to par.

So as you can likely tell by the brand new layout, I've done a major overhaul, not just to this page, but the entire site. I've been sort of pecking away at it in the background these past several months as I tried to get back on the "do things" wagon while trying to keep my life in order.

Most of the things I was working on last year and the year before that ended up dropped, although whether that's forever or just for now is hard to say. I do really want to continue Where You Belong - heck, I had the next chapter partly written and the chapter after that drafted back at the beggining of the year or so, but like a lot of other things for a while there, I just couldn't bring myself to get it done.

It sucks, but that's where the fine art of picking yourself up and trying again comes in.

I'm pretty pleased with the new layout for the website, though I need to make sure it's relatively easy to get back to the main page + each sections's respective "hub". I never did like website that let you get knee deep in a subfile's worth of pages without providing some kind of "return to home" button that lets you click back without having to type in the URL. Even for a website like this, where it's needless, webpages just feela incomplete to me without them.

Happily for me I can make each page however I want (which is still absolutely my favorite part of owning a website.)

The current plan is to gradually add all my old pages into the new site, with either small tweaks or revamps as needed, with rambles 2.0 being the first.